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One of the support acts was QUEEN who were undoubtedly taking notes from the side of the stage, particularly with Russell Mael’s bursts of falsetto within a traditional rock format. However, this ultimately provoked even more fascination in the quirky brothers among British youth with queues around the block for their shows at The Marquee. This led to interest from UK promoters and a Warners sponsored tour which included a residency at The Marquee in London.īut following an appearance on BBC2’s ‘Old Grey Whistle Test’ performing ‘Wonder Girl’, presenter Bob Harris was unimpressed and said SPARKS were the worst thing he had ever seen… this was the same esteemed music expert who had poured scorn on ROXY MUSIC a few months earlier and later called NEW YORK DOLLS “mock rock”!
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The HALFNELSON album was repackaged and reissued in 1972, with ‘Wonder Girl’ lifted as a single and gaining a prestigious TV slot on ‘American Bandstand’. Ron and Russell hated the idea but compromised and changed their name to SPARKS. Despite containing the lyrically prophetic ‘Computer Girl’, the album has not sold well but keen to exploit the Maels image, Grossman suggested they should rename themselves ‘The SPARKS Brothers’ after the comedy siblings Marx. SPARKS had originally been HALFNELSON whose Todd Rundgren produced debut was released on the Warners subsidiary Bearsville Records, founded by Bob Dylan’s former manager Albert Grossman.
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So it is no surprise that the cast of contributors to ‘The SPARKS Brothers’ include Vince Clarke, Andy Bell, Rusty Egan, John Taylor, Nick Rhodes, Stephen Morris, Gillian Gilbert, Martyn Ware, Nick Heyward, Steve Jones, Alex Kapranos, Bernard Butler, Jack Antonoff, Thurston Moore, Björk, Flea, Beck, Jane Wiedlin, Weird Al Yankovic and many moreįeaturing the Maels themselves and previous producers Todd Rundgren, Muff Winwood, Tony Visconti and Giorgio Moroder alongside former bandmates like Christi Haydon, Ian Hampton, Earle Mankey, David Kendrick, Les Boheme, Tammy Glover and Steve Nistor, humorous animations by Joseph Wallace visualise the stories not captured in the magnificent archive footage assembled for the documentary. In a 50 year recording career that has taken in art rock, operatic glam, nouveau swing, electronic disco, new wave, Eurodance, orchestrated pop, theatrical indie and soundtracks, SPARKS have an array of musicians who cite them as an influence. As can be expected from the man behind ‘Shaun Of The Dead’, ‘Hot Fuzz’ and ‘The World’s End’, Wright’s delightful film captures the deadpan wit and sarcasm of the Mael Brothers, while illustrating their serious but artistic pursuit of fun.īorn in Los Angeles of Austro-Russian Jewish heritage, Ron and Russell Mael excelled at sports but opted for more artistic studies at UCLA while harbouring ambitions in music, driven by their love of British bands such as THE BEATLES, THE KINKS and THE WHO.
The legacy of American sibling duo SPARKS has been celebrated in ‘The SPARKS Brothers’, a new documentary film directed by Edgar Wright. In the experimental setup, signals are measured with a human subject at a distance of 1-m away from the RF transceiver.“Change – I don’t care what other people say, I know everything will be okay…” Simulations are carried out using measured dual-band subsystems in ADS platform. The concurrent dual-band operation yields the advantage of measurement of vital sign signals without a change in measurement conditions at both bands.
The analysis shows that Wavelet transform gives better prediction of vital sign as compared to Fourier transform. An algorithm using Fourier transform and Wavelet transform is used to notice the vital signs from the phase information signal of the concurrent dual-band RF system. The vital signs are captured by a concurrent dual-band measurement setup operating at 2.4/5.2 GHz band. Heartbeats and Respiration rate) for the first time.
This article illustrates application of a concurrent dual-band RF system and Wavelet Transform for contactless detection and analysis of human vital signs (i.e.